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Art-Rite

Art-Rite

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Art-Rite’s editorial perspective was self-characterized as “coverage of the uncovered,” a notion that informed all facets of the magazine, across its writing, design, and photography. June 1978) special issue published in collaboration with The Los Angeles Institute of Contemporary Art LAICA Journal with cover by Chris Burden ; No. But New Yorkers, living by Plato’s dictum, “Necessity is the mother of invention,” created brand new forms of art and culture—and nobody could stop them. The legendary artists’ books issue featured an idea poll gathering statements on the difficulties and ‘best potentials’ of the medium from 50 artists and art professionals—including Kathy Acker, Ulises Carrión, Agnes Denes, Sol LeWitt, and others. Auctions including the most iconic works of art by modern and contemporary artists and auctions, named U-3, presenting, after careful evaluations, multiple and diverse works of art, ranging from works on paper, prints to ceramics.

To keep costs low, the editors carved potatoes to the shape of the rose, manually inking and printing the stamps as many times as they could withstand before deteriorating. DeAk and Robinson commissioned Ruscha, she remembers, when they were vacationing in France; they doubted he had ever heard of them, but she felt that if they drove all night to Saint-Tropez, bought a tourist postcard there, and sent it to him with a Saint-Tropez postmark—“Hi Ed! Indeed, Art-Rite had a collaborative relationship with the art world (particularly with its own generation) and had a close relationship with the post-minimal and post-conceptual downtown art community that was in the process of moving away from formalism and towards an art of appropriation.DEAK AND ROBINSON ONCE WROTE an essay dividing “Alternative Periodicals” into types: “Picture magazines,” “Parochials and House Organs,” “The Voice of the New,” “The Scholarly Ones (vehicles for analysis),” “Lobbyists,” and “Newsletters. They did record the breakdown of the magazine’s income: twenty percent from ads, ten percent from sales, and fifty percent from grants. Cover: Pierre Huyghe and Philippe Parreno, A Smile Without a Cat (Celebration of Annlee’s Vanishing), 2002, fireworks display, Miami Beach, FL. Within this space, the possibility exists for the next generation to produce a revolutionary new publication to examine the art world, which has had its own radical transformation worth examining in detail.

Perhaps the most impressive aspect of Art-Rite is that it was, in Robinson’s words, “always a side hustle, the kind of full-time hobby that only kids in their 20s can or would contemplate. It was unheard of to have a sense of humor at the time, or not to be talking about ‘the problem’ of art—the problem of this, the problem of that.As for the intellectual process, “I would go meet [Robinson and Cohn] in these informal sessions that might be an evening or might be two days, day and night. CAN OR SHOULD AN INDEPENDENT CRITIC, let alone an independent critical journal, act as the “servant” of artists? Hoffberg, Douglas Huebler, Allan Kaprow, Richard Kostelanetz, Sharon Kulik, Robert Leverant, Sol LeWitt, Lucy Lippard, Christof Kohlhofer, Jane Logemann, Paul McMahon, Robert Morgan, Maurizio Nannucci, Rochard Nonas, Adrian Piper, Lucio Pozzi, Marcia Resnick, The Roseprint Detective Club, Carolee Schneemann, John Shaw, Bob Smith, Pat Steir, Ellen Sragow, Ted Stamm, Peter Stansbury, Richard Tuttle, Fred Truck, Lawrence Weiner, Robin Winters, Rachel Youdelman, John Howell, David Salle, Al More, Rosalle Goldberg, Lawrence Alloway, Peggy Gale, A.



  • Fruugo ID: 258392218-563234582
  • EAN: 764486781913
  • Sold by: Fruugo

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